why?

I explore what allows us to see, think, and create – the human body, especially its organs.
For me, painting brains, hearts, or neural pathways isn’t about illustrating anatomy. It’s about closing a loop of perception. Like when a researcher looks through a microscope and, in doing so, the universe tries to understand itself.

My work is a visual form of self-conversation. The brain paints itself. The observer becomes the observed. The canvas becomes a mirror – where introspection of body and mind takes form: precise, fragile, and still powerful.

For me, painting is both a tool and a ritual. A way to settle inner restlessness, to understand myself better – and to reinterpret the outside world through internal perception.
I paint what allows me to paint.

My works combine clean, almost scientific lines with a quiet, contemplative depth – like a “brain selfie,” a map of thought.